front cover of Burning Daylight
Burning Daylight
Jack London
University of Alaska Press, 2019
In Jack London’s lifetime, Burning Daylight was one of his best-selling books, yet it has been largely out of print for decades. Now the novel is being brought back for a new generation of readers to discover.

The story features one of London’s most engaging larger-than-life protagonists, Elam Harnish, a prospector with John Henry–like strength and a thirst for gold-plated wealth. Harnish, the “Burning Daylight” of the title, eventually strikes it rich through his talent in the mines—and at the poker table. But he ultimately makes the biggest gamble of his life when he decides to trade it all for the golden-haired love of his life.

While the novel moves from Alaska to the Sonoma Valley and later into the wilds of Wall Street, it’s the vivid descriptions of the Gold Rush–era Klondike that shine. London takes readers on journeys deep into mines and across the frozen North via sled dog. He captures the competitive spirit of the time and the endless hope that the big score is just one dig away. London weaves in progressive views on sustainability and land use, and also timeless lessons about the real riches in life.

This new edition presents London’s text in full and features a new afterword from University of Alaska Fairbanks professor Eric Heyne. Heyne situates the novel within London’s life and writings and looks at some of the sources that may have inspired him. The re-emergence of Burning Daylight will allow London’s fans to fill in an important spot on their bookshelf and rediscover a long–lost work.
[more]

logo for Pluto Press
The People of the Abyss
Jack London
Pluto Press, 2001

front cover of The Road
The Road
DePastino, Todd
Rutgers University Press, 2006

In 1894, an eighteen-year-old Jack London quit his job shoveling coal, hopped a freight train, and left California on the first leg of a ten thousand-mile odyssey. His adventure was an exaggerated version of the unemployed migrations made by millions of boys, men, and a few women during the original "great depression of the 1890s. By taking to the road, young wayfarers like London forged a vast hobo subculture that was both a product of the new urban industrial order and a challenge to it. As London's experience suggests, this hobo world was born of equal parts desperation and fascination. "I went on 'The Road,'" he writes, "because I couldn't keep away from it . . . Because I was so made that I couldn't work all my life on 'one same shift'; because-well, just because it was easier to than not to."

The best stories that London told about his hoboing days can be found in The Road, a collection of nine essays with accompanying illustrations, most of which originally appeared in Cosmopolitan magazine between 1907 and 1908. His virile persona spoke to white middle-class readers who vicariously escaped their desk-bound lives and followed London down the hobo trail. The zest and humor of his tales, as Todd DePastino explains in his lucid introduction, often obscure their depth and complexity. The Road is as much a commentary on London's disillusionment with wealth, celebrity, and the literary marketplace as it is a picaresque memoir of his youth.

[more]


Send via email Share on Facebook Share on Twitter